Dix Bruce and Julie Cline sing and play a wonderful mixture of Americana and original music on guitar and mandolin. Their beautiful vocal harmonies make everything they perform, from bluegrass to blues, folk to country, rockabilly to originals, a pleasure to listen to. You can hear short excerpts of all the songs from of Dix and Julie’s latest recording Look at it Rain by clicking the links below.
iTunes and CD Baby downloads now available.
1. Little Birdie
2. Making Believe
3. Take this Hammer
4. I Get Blue
5. There’s More Pretty Girls than One
6. Fair and Tender Ladies
7. Shady Groves
8. Darling, Will You Ever Think of Me?
9. Look at it Rain
10. The Banks of the Ohio
11. Just Someone I Used to Know
12. Pretty Polly
13. Frogs for Snakes
14. I am a Pilgrim
15. Where the Soul Never Dies
Dix Bruce is a musician and writer who has performed and recorded music in the San Francisco Bay Area since the mid-1970s. He is well-known in jazz and bluegrass music circles for his work with a variety of bands. He has recorded four duo CDs with guitarist Jim Nunally. Dix has produced over fifty music books and DVDs. His latest publications are four book/CD sets for mandolin and guitar entitled “Gypsy Swing & Hot Club Rhythm” and “The Parking Lot Picke’s Songbook.” Dix wrote and recorded music for three versions of the best-selling video game “The Sims.”
Julie Cline has worked as a ceramic artist in the San Francisco Bay Area for over thirty years. She has performed and recorded with a variety of singers, songwriters, and musicians in many different styles. Julie has always loved traditional American music forms and has lately ventured outside of the ceramic studio to sing and play mandolin in a duo with Dix. Her soulful lead, harmony singing, and solid mandolin provide a perfect compliment to their music.
Look at it Rain (Musix CD 110)
Dix and Julie’s first CD recording. Dix Bruce & Julie Cline’s new CD, Look at it Rain, includes a mixture of traditional and original songs arranged to showcase their duet singing and instrumental sound. Little Birdie. Julie sings lead, Dix sings harmony, on this up-tempo traditional song, punctuated with hot guitar and mandolin solos. Little Birdie has been played by folk, old time, and bluegrass musicians for many generations. Making Believe. This moving ballad of love lost from the mid-1950s was one of country music queen Kitty Wells’ greatest hits. Dix and Julie turn Making Believe into a country duet in the classic style, again with Julie singing lead. Take this Hammer, with lead singing by Dix, features close instrumental interplay between Dix on guitar and Julie on mandolin. I Get Blue was written by Dix and it’s a fun, up-tempo romp, a tongue-in-cheek mediation on wasted love. It has an acoustic rockabilly feel with Dix’s muted guitar solo and the flat out rock ‘n’ roll of Julie’s hot mandolin lead. There’s More Pretty Girls Than One is a waltz with duet singing throughout, Dix on lead. The title speaks for itself. Fair and Tender Ladies offers heart felt warnings about love. Julie sings lead on this beautiful melody. Shady Groves combines a modal sounding version of the traditional folk song Shady Grove with an energetic, up-tempo bluegrass version of the same song. Hence the title “Shady Groves,” plural. Dix sings lead on the modal version, Julie sings lead on the major key version with harmony throughout. Darling, Will You Ever Think of Me? was composed by Dix as an homage to the Carter Family. It’s a duet with Dix singing lead. In the chorus of the song Julie sings a descant or counter-melody to Dix’s lead. Look at it Rain, another original by Dix, is an up-tempo, bluegrass-style, song aboutx wellxrain. But rain in the metaphorical sense. Look at it Rain is the title song of the CD. The Banks of the Ohio is a beautiful instrumental arrangement of the popular traditional song. Both Julie, on mandolin, and Dix, on guitar, explore various ways of playing the melody using flatpicking and crosspicking. Just Someone I Used to Know is one of the best country songs ever written about the pain of breaking up. Jack Clement’s moving song has been recorded by Porter Wagoner and Dolly Parton, Emmy Lou Harris, Rhonda Vincent, and others. Pretty Polly, which PBS described as an “eternal song” originated hundreds of years ago in the British Isles. This American version tells the gripping story of a romantic liaison that ends in murder. Dix and Julie’s hard-edged vocal duet and unique two-mandolin performance captures the stark drama of this brutal tale. Frogs for Snakes. Dix and Julie both love the sound of traditional blues played on mandolin and guitar. Frogs for Snakes was written by Dix and he and Julie give it a grooving, old time/bluesy acoustic string treatment. I am a Pilgrim, with Julie singing lead, is a well-loved song that’s been performed by countless musicians in a variety of styles. Where the Soul Never Dies is another vintage song with a hopeful message. Dix sings lead with Julie on harmony throughout. As with “Darling, Will You Ever Think of Me?” Julie sings a descant or counter-melody to Dix’s. Look at it Rain by Dix Bruce & Julie Cline. Wonderful duet singing and playing, great new songs and arrangements, beautiful guitar and mandolin playing.
Look at it Rain review
Dix Bruce and Julie Cline have assembled a fine selection of original and well-loved Americana songs. Their smooth vocal harmonies soar above a guitar and mandolin backdrop. “Shady Grove” is given a makeover with both a modal folk-style section and an uptempo bluegrass version. “Fair and Tender Ladies” features Julie’s lead vocal and the warnings mentioned in the song are still worth heeding. “I Get Blue” is a Dix Bruce original and the bouncy rhythm underscores the singer’s frustration with his lover. “Look At It Rain” is another Dix original and the duo’s bouncy harmony is matched by a rolling guitar rhythm and mandolin punctuation. Dix’s smooth guitar playing and Julie’s seamless flow from solo to rhythm mandolin are showcased in a crosspicked version of “Banks of the Ohio.” Dix and Julie perform a energizing two-mandolin accompaniment in their version of the classic murder ballad “Pretty Polly.” Dix’s instrumental “Frogs for Snakes” is given a bluesy, rough-edged treatment that just sets a perfect groove. The album ends all-too-soon with a rendition of “Where The Soul of Man Never Dies” graced by their counter melody harmonies. Some singers have a perfect symmetry in their voices and a gentle balance in their instrumental skins; Dix and Julie have a magical blend that will invite repeated listenings and joyous sing-aIongs from their listeners. Brenda Hough–Bluegrass by the Bay